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 Imagine Jan Dorion Whitney at age four: her head bent over, brown eyes nearly squeezed shut in concentration, dabbing paint onto a page. Her intensity could melt the goo on her tot-size brush. A glimpse of her at age seven would show her at the miniature easel she begged her parents to buy for her. A small black beret hides half her head of wavy red hair. A tiny mustache is painted on her upper lip, the self-imposed trademarks of an artist. Focus the mind’s camera on Jan at age thirteen, and it produces a Polaroid of her in a mechanical drawing class at Las Cruces, New Mexico High School. She is one of only two girls in a group of nearly thirty boys. Jan is not there for adolescent romance; she wants to sharpen her artistic perspective and sense of proportion. Flash forward to today. Jan, now fifty-one, still has a brush in her hand and paints every day. “I always wanted to paint,” she declares. “I’m one of those people who knew when I was four years old that this is what I wanted to do.”
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 Story By Harriet Howard Heithaus Artwork Courtesy of Jan Dorion Whitney Photography by Donald Clark Fonger
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Visit the Claire Murray Site "I love the good old boys, : Matisse, Cezanne, Gaugin and van Gogh," she declaires speaking of them as if they are favorite uncles. "They inspire me, and life inspires me."
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